After slimy sea worms on mud flats, after quiet but confusing purple sunsets, we returned to Brisbane. Sy began lighting scenes for Steve Irwin's Crocodile Hunter movie. Long workdays were once again routine.
On one of his infrequent afternoons off from providing mega voltage lights for Directors of Photography, Sy answered a trans-Pacific call. “Phone for you, the nurse at your mother's convalescent hospital.”
Wataarka Sunrise, Chapter 22